About

  • Born in Lisbon;

  • Attended the Theater Studies at the Évora University;

  • A degree in Theater at the College of Arts and Design in Caldas da Rainha where received two Merit Scholarships as a distinction for high qualifying scores;

  • As an was directed by directors as Miguel Moreira, João Garcia Miguel, Diogo Dória, José Eduardo Rocha, Paulo Patraquim and Luis Varela;

  • Participated in various workshops and seminars, including: Body and Movement workshop with Luciano Amarelo, Writing workshop for Theater and Film, Writing workshop for Comedy, the seminar The Method of Konstantin Stanislavsky and contemporary dance workshops with Ana Leitão (Choreographer Company Bacantoh Barcelona), Cyril Viallon, Matthieu Hocquemiller and Cécile Loyer - from the principles of Butô dance;

  • Currently living in Oporto;

  • Studied at IPF – Instituto Português de Fotografia (Portuguese Institute of Photography);

  • Worked with FotoSport Studio as a photographer for the booking event "Young Stars" with the partnership of the model agencie SpaceMilanModels.

  • Co-creator of Mr.Lazy&Mme.Leisure, a artistic duo developing work on the visual arts including performance, installations, video art and photography. Participation of the artists Marco Telmo Martins in the C.C.T.V. performance and Mark Aragão in the Arte o Muerte performance.

  • Collaborates on a regular basis with Colónia Collective International, and Hotel 555 – Cultural and Artistic Association;

  • Developing a series of individual projects in performance and photography.

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Experiências

Ana Isa Araújo, Cláudio Teixeira e João Borges

Uma lista de 100 experiências nunca feitas por nenhum de nós:
Resmungar durante 10 minutos;
Sentir-se invisível numa esplanada;
Comer continuamente durante 2 horas;
Olhar para as estrelas durante uma noite inteira;
Entrar numa loja de roupa e experimentar toda a roupa;
tudo e mais alguma coisa...


Folha de sala:


"Tornar uma experiência pessoal numa performance pública.

Tornar uma experiência pessoal realizada por três pessoas diferentes numa única performance pública.

Fazer, não uma, mas várias experiências.

Torna-las não particulares, mas de partilha.

Mostrar o antes, o durante e o depois.

Trabalhar a partir do desconhecido, com os acontecimentos em tempo real, da situação em aberto.

..."


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